‘Edge of Darkness’ needs more Gibson

Moviegoers can rest easy. Mel Gibson is back in the business of starring in violent, paranoid thrillers. Back in the business of starring in movies — period.

But for all its familiar Mel touches, “Edge of
Darkness,” Gibson’s first leading role since 2002’s “Signs,” is an odd
duck of a thriller. Quiet, talkative, with the occasional explosion of
violence, it has ghosts and characters philosophizing, quoting F. Scott Fitzgerald or blurting insensitive non-sequiturs. Gibson tries on a Boston
accent (it needs work) and boringly underplays his character before the
inevitable “Mad Mel” makes his appearance in the third act.

Adapted from a 1980s British miniseries, the film is about a lone widower cop, Tommy Craven (Gibson), whose daughter, Emma (Bojana Novakovic), is killed in front of him in what everybody assumes was a hit aimed at Tommy.

That’s what Tommy’s superiors suspect. So does
Tommy. “Don’t worry,” they tell him. This is a murder with an “officer
involved.” They put a lot more effort into those cases.

Tommy scatters her ashes, plows through his old cases and stumbles across her cell phone. The script was written by William Monahan, who has made cell-phones his favorite plot device ever since “The Departed.” Thus Emma’s friends, boyfriend (Shawn Roberts, in a one-note performance) and contacts reveal themselves. Tommy makes calls and begins to suspect that her corporate boss (Danny Huston, the villain’s villain) had something to do with her death.

Director Martin Campbell (“Casino
Royale”) has a hard time getting this generic who-done-it off the
ground as the script weaves in more and more layers of conspiracy —
politicians, activists, government bureaucrats and one mysterious spy (Ray Winstone).
The most theatrical and pointless scenes in “Edge of Darkness” pair
Gibson up with Winstone as each growls questions to the other. Who’s on
whose side? Winstone is just there to assure Tommy — “You’re a wise
man.”

Gibson doesn’t give away much as a hard man hardened
further by grief he can’t express. He’s not quite dull, but the movie’s
indulgent reveries — flashbacks to his daughter’s childhood, lectures
about the origins of the phrase “blow the whistle” — just delay the
inevitable, which we’ve figured out early on.

All that baggage suggests that this movie, like
“State of Play,” worked better in longer form on British TV. And Gibson
may be “back,” but for a movie about a mysterious murder with an
“officer involved,” he needed to be a lot more involved to make us care.

Edge of Darkness

2 stars (out of 4)

Cast: Mel Gibson, Ray Winstone, Bojana Novakovic, Danny Huston

Director: Martin Campbell

Running time: 1 hour, 49 minutes

Industry rating: R for strong bloody violence and language

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