"Nothing's irreversible," says
Not since the last few episodes of "The Sopranos" has a show's final been so breathlessly anticipated. For five seasons,
So it's not surprising that
Was Juliet (
In a glorious
have-our-cake-and-feed-it-to-the-smoke-monster-too conceit, Tuesday
night's premiere followed two disparate storylines, both chronicling
the aftermath of the nuclear blast that ended Season 5. In one, Jack,
Sawyer (
In another, they are all safely en route from
Nothing's irreversible, that's for sure. In a scant two hours, everyone but Elvis came back to life one way or another — Juliet (though only to die tenderly in Sawyer's arms), Jacob (though possibly only in a ghostly way), Sayid (in an eerie reverse baptism). But the writer's inspired decision to address all the possibilities by making all things possible creates a whole new set of questions (like isn't it time we move O'Quinn and Emerson out of Best Supporting and into the Best Actor category?) and, amazingly, a whole new group of islanders — the followers of Jacob who seem equally prepared to preside over murder and miracles.
But at its best "Lost" has always been about the contradictory nature of life. Just as the past two seasons dealt with the porous and untrustworthy nature of time, the final episodes of "Lost" seem to be taking a similar approach to life and death, which is frankly more interesting.
The passengers of Oceanic 815 are now experiencing
life (and death) in parallel universes. And why the heck not? Early
theories about the nature of the island posited it as heaven or hell
and if we weren't dealing with the godless media here, it would be
tempting to ponder the mysterious Jacob as a Christ-figure, or at least
a quasi-Aslan for grown-ups. Though where the kohl-eyed Richard or that
wacky smoke monster, which is apparently a manifestation of the guy in
the black shirt currently inhabiting
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