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Thursday, November 4,2010

Imagining a better world

John Lennon’s art to benefit Boulder County AIDS Project

By Marisa Aragón Ware



In 1970, Scotland Yard busted into the prestigious London Art Gallery, shutting down a newly opened show and seizing eight pieces of artwork deemed obscene by authorities. The confiscated lithographs, a relatively tame set of erotic nudes created by the artist for his new wife as a wedding gift, were made by none other than John Lennon, a man whose fame as a pop star barred him from being viewed as a serious visual artist while he was alive.


Now, 30 years after his death, a touring show of nearly 100 of Lennon’s drawings and song lyrics will be in Boulder Nov. 5-7 as part of the exhibit IMAGINE — The Art of John Lennon.

“Many people know Lennon as a Beatle, a peace activist, a spokesperson and a luminary, but few know him as an artist,” says Rudy Siegel, a producer at Legacy Productions, who works in conjunction with Yoko Ono and Bag One Arts to bring Lennon’s artwork to the masses. “It’s yet something else to discover about the man, the myth and the legend.”

The show, which will benefit the Boulder County AIDS Project, consists of a limited edition of lithographs, serigraphs and copper etchings of drawings done by Lennon between 1964 and his death in 1980. The simple, expressive lines of his whimsical drawings in pen, pencil and Japanese sumi ink chronicle Lennon’s life, with a heavy presence of self-portraits.

“There’s a lot of similarities between how he wrote his songs and how he drew,” Siegel says. “With a few strokes he was able to capture an entire phrase or draw a point in time in his life. He got down on paper what he wanted to say very simply and quickly, both lyrically and with his artwork.”

Lennon’s interest in visual art dates back to his early childhood, when he created a collection of his quirky drawings and satirical writing in a fictitious newspaper he called The Daily Howl. He went on to attend the Liverpool Institute of the Arts between 1957 and 1960, before being catapulted into stratospheric levels of fame as part of The Beatles.

“People like me are aware of their so-called genius at 10, 8, 9,” said Lennon in an interview with Rolling Stone in 1971. “I always wondered, ‘Why has nobody discovered me?’ ... Why didn’t they put me in art school? Why didn’t they train me? A couple of teachers would notice me, encourage me to be something or other, to draw or paint — express myself. But most of the time they were trying to beat me into being a fucking dentist or a teacher.”

Lennon found the artistic encouragement he desired when he met Ono in 1966 at one of her art openings in London.

“He started to feel like he wanted to do a gallery show,” said Ono in an interview with the Boulder Weekly in 2008. “He said, ‘Well, I can’t do it because I’m a Beatle.’ I said, ‘What kind of nonsense is that? Of course you can do it!’ But he was right. ... There was a kind of art-world snobbery of, ‘Oh, he’s just a pop star. He’s dabbling. We’re not going to show that.’”

For the past 18 years, Ono has worked with Legacy Productions to organize and coordinate 15 to 20 shows of Lennon’s art per year across the United States. Ono has faced criticism from those who claim she is exploiting the work of her late husband, especially after she added color to a number of prints of Lennon’s drawings, including several that will be on display as part of the Imagine show. According to Ono, gallery directors had suggested years ago that she add color to the pieces to bring more depth and vibrancy to Lennon’s simple line drawings. She has defended her promotion of Lennon’s artwork, stating that her goal has always been to share his work with his fans and spread his message of love.

“Hundreds of thousands of people have come out over the years to see John as an artist in the true sense of the word. That’s really the essence of what this whole program is about — allowing people to come together, pun intended,” Siegel says. “We’ll have the wealthiest person in town standing next to someone who doesn’t have a penny in their pocket and they’ll be hanging out, enjoying the exhibit. Wherever we go, there’s usually a lot of peace and love in the room — from Portland, Maine, to Portland, Ore., and everywhere in between. It’s a powerful gig.”

On the Bill

IMAGINE – The Artwork of John Lennon will be at 902 Pearl St. from Nov. 5 to Nov. 7. Proceeds benefit the Boulder County AIDS Project. A suggested $2 donation will be requested at the door. For more information call 303-444-6121 or visit www.bcap.org.

Respond: letters@boulderweekly.com

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November 4, 2010

The Bait & Switch

This Artwork of John Lennon exhibition is being promoted as: “At the Boulder exhibit you will be able to view nearly 100 drawings and songwriting that John executed from his youth in 1964 to his untimely death in 1980 including three new releases that have never before been seen by the public.”

Now compare this same Legacy Fine Art & Production Inc.’s statement with the one made by its’ director Rudy Siegel in a June 29, 2006 Washington D.C. station WUSA Channel 9 televised interview by reporter Bruce Leshan (Artwork of John Lennon exhibition in a different venue). In that interview (I was the source and also interviewed) Rudy Siegel admitted: “The majority of the work on display was printed posthumously. – The artwork is coming from the Lennon estate. People aren’t stupid. They know the difference between a print and an original.”

In other words, unless you know the question, Yoko Ono and her business associates will not volunteer the answers.

In closing, Yoko Ono and her business associates Legacy Fine Art & Production Inc. -may- donate the voluntary donations given at the door, whereas the sale of these non-disclosed forgeries, misrepresented as the Artwork of John Lennon, goes into their pocket. Yoko Ono and her cohorts use the good-will and reputation of a worthy charity’s good name to rip-off their unsuspecting victims.

They have no shame.

Gary Arseneau
artist, creator of original lithographs
Fernandina Beach, Florida