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Thursday, December 24,2009

DJ Vajra moves away from battling to producing

By Quibian Salazar-Moreno

"Where I grew up, it was a lot more culturally diverse than Denver, so there was a lot of racial tension,” says Chris Karns about growing up in Ft. Wayne, Ind. “So there were a lot of white kids in my neighborhood that would pick on me for listening to rap music.”

Karns is known worldwide as DJ Vajra and is considered one of the best DJs to scratch a record in the last 10 years. He discovered hip-hop music in the mid-80s as a tween watching Yo! MTV Raps after school and on Saturday mornings. He would then go to K-Mart and buy hip-hop compilation albums like Kool Rap and the Rapmasters series, privately learning about the culture he would become so immersed in later on in life. But if the neighborhood kids weren’t enough, his parents weren’t too enthusiastic on his musical choices, either.

“They hated it. They hated it so much,” Karns says. “My parents would listen to all the crazy evangelists talking about the music. They would tell me, ‘You know, the Beastie Boys got their name because of beastiality!’ Or they would say, ‘Prince is for Prince of Darkness!’ ‘Uh, no, it’s actually his birth name, mom.’ They didn’t want me to listen to it in their house or their home, so I would have to go out and buy tapes and make copies, then hide all the copies. I always had to make extra copies of everything just in case my parents took my original away.”

Although Karns spent a considerable amount of his youth and teens playing around on turntables and pretending to host a radio show, he didn’t consider DJing anything more than just playing a record with a bit of scratching.

He was wrapped up in athletics, playing soccer and basketball, even though he had a small setup with two used turntables and a mixer. But to him, it was just something to play around with.

“I was really just doing it for fun at that point,” he says. “I knew that I wanted to learn how to scratch and how to [beat] juggle but I just didn’t know what for.”

It wasn’t until he moved to Colorado in 1996 at age 17 that he looked at DJing from a different perspective — the DJ battle.

There are several types of DJs: a radio DJ, who selects the music to broadcast over the airwaves; a club/bar DJ, who selects and mixes the soundtrack of an evening out; and a turntablist, a DJ who uses the turntable as an instrument to create new sounds by scratching and manipulating the tempo and volume between two records (known as “beat juggling”). A DJ battle consists of turntablists going head-to-head, showcasing their skills, and competing sometimes for money but mostly for credibility and bragging rights.

The DMC World DJ Championships is the biggest yearly tournament that seeks to find the best turntablists in the world. Participating countries have regional tournaments to find the best DJ to represent their nation at the world finals in Europe. Some winners of the tournament went on to be tour DJs for the likes of Madonna and Kanye West. In the United States, several tournamentsare held in different cities, and in 1999, Boulder hosted its first regional tournament.

Karns, who was honing his turntable skills for a couple of years by then, attended the event.

“A lot of my friends were like, ‘You should enter, you should enter,’ but no way, I was way too scared!” Karns says. “I had never been to a battle or even considered battling before. So I went to the battle and I thought, ‘I wouldn’t have been the worst person here.’ So I started entering battles whenever they happened.”

It didn’t take too long for Karns to get the DJ Vajra name buzzing around. He sharpened up his scratching, cleaned up his beat juggling, and tightened up his allaround routine at home and various events.

And although he didn’t make it past his first regional tournaments in Kansas City and Boulder in 2000, he owned the regionals in 2001, ’02, ’03 and ’04, scoring him a U.S. final spot each year.

“He’s one of the best turntablists in the world and very influential in my career,” says DJ Chonz, KS107.5 radio personality and probably the most wellknown DJ in Colorado. “I may have influenced some DJs and introduced them to turntablism with some cutting and routines and stuff they never heard, but Vajra took it to the next level. There came a point where I knew that I couldn’t keep up with him. That was a turning point for my career, because there’s no way in hell I’m going to keep up with the turntablist scene if this is what’s next. I had to be realwith myself, and I chose a whole different direction with my DJ career.”

A DJ would have to be pretty darn good to make one of Colorado’s most popular DJs switch gears mid-career. But that’s how good DJ Vajra is. Although second is the highest he ever placed at the U.S. finals, he is recognized as one of the country’s best turntablists because of his consistency and multiple finals appearances.

In 2008, the DMC World Championships asked Karns to judge the World Finals in London, an honor usually bestowed upon past world champion DJs.

He even scored an endorsement deal with Rane, a company that specializes in a variety of DJ hardware and software, to promote current product and test out future releases.

In the last several years, however, Karns moved away from battling and turntablism to concentrate on making money through club gigs and appearances (he spins at ´Round Midnight every Friday in Boulder and will be the halftime entertainment for the Denver Nuggets’ Feb. 9 home game) and his new passion — music production.

“I was always curious about it,” Karns says. “I would work with different people and see how they do it and I would goof around with it, but at that time I really wanted to stay completely focused on DJing.”

But when Karns was hired as the tour DJ for Colorado-bred hip-hop group The Procussions, he found a lot of downtime trekking across Europe and Japan. He previously took a class on how to produce using Reason music production software, dabbled with it a bit, and became obsessed.

“I would record tons of samples before I went on tour, then I would just sit in the backseat of the car every single day, or in the hotel and just make beats,” he says. “I was so stupid because I didn’t go sightseeing or anything.”

The hard work seems to be paying off. Karns made his debut as a producer at this year’s Red Bull Big Tune, a hiphop music production competition, and surprised the crowd with solid, quality beats. He didn’t place in the competition, but made a place for himself among the list of talented Colorado hiphop producers. Karns has already produced an entire album with underground rapper Othello, The Required Taste, which is set to hit store shelves this spring. His next project will be a DJ Shadow-esque instrumental album that he hopes to release soon after the Othello collaboration drops.

“I’m still learning,” Karns says. “It’s like every single day I work on production and I learn something new. It’s a constant learning and building process, but it’s so much fun!” But will he battle again? “Who knows, I could battle again someday, it’s not outside the realm of possibilities,” he says.

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