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Home » Articles »   By Gary Zeidner
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Thursday, June 28,2012

Shakespeare's best villain

´Richard III´ return with a vengeance

By Gary Zeidner
Say what you will about Tybalt or Iago, Edmund (the bastard!) or Lady Macbeth. For my money, the greatest Shakespearean villain is Richard. He opens Richard III as the Duke of Gloucester and ends it as the King of England. He is, by his own hand or through his devices, a serial killer of prolific pedigree.
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Thursday, June 14,2012

And the first night was ‘Twelfth Night’

The Colorado Shakespeare Festival opens anew

By Gary Zeidner
For the 55th time, the Colorado Shakespeare Festival brings ol’ Will back to Boulder. This year’s annual celebration of one of the world’s greatest playwrights showcases two Shakespeare, one Shakespeare-related and two non-Shakespeare plays: Twelfth Night, Richard III, Women of Will, Noises Off and Treasure Island. The festival kicked off last weekend in splendid style with Twelfth Night.
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Thursday, May 24,2012

Scratching an itch

Devil’s Thumb takes on ‘Bug’

By Gary Zeidner
It’s not often that one has the opportunity to see psychological horror played out on stage. Pratfalls and buffoonery abound. Studies in tragedy crop up weekly. Musical theater is so prevalent that it has become its own sub-genre. But plays devoted to the terrors that come from within one’s own mind are few and far between.
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Thursday, April 26,2012

It has a wealthy dowager in it

What more needs be said?

By Gary Zeidner
In a world brimming with so much cynicism, now more than ever people occasionally need the kind of charming, guileless sentimentality offered up by shows like The Drowsy Chaperone. Though it first hit Broadway in 2006, aside from its meta-structure The Drowsy Chaperone feels like it could easily be a product of the Jazz Age.
Thursday, April 12,2012

The man, the myth, the legend

Tribute to Johnny Cash hits all the right notes

By Gary Zeidner
Though they were incredibly gifted performers whose music still resonates and whose influences remain readily apparent today, you don’t see bumper stickers reading, “God Bless Janis Joplin.” Or Jimi Hendrix. Or Frank Sinatra. Or Dean Martin. The only such bumper sticker you ever see is, “God Bless Johnny Cash,” and you don’t just see it on beat-up, old pickup trucks.
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Thursday, March 29,2012

He came, he saw, he kvetched

Cantankerous curmudgeon comically cudgels citizenry

By Gary Zeidner
Originally produced in 1939 and since adapted for radio, television and the big screen, The Man Who Came to Dinner has proven itself deserving of the label “classic.” Yet, until now, I have never seen it live on stage, so I want to give a great, big “Thank you!” to the Longmont Theatre Company for bringing George S. Kaufman and Moss Hart’s comic crucible to Boulder County.
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Thursday, March 22,2012

A set of lies agreed upon

East Coast aggression drives quirky comedy

By Gary Zeidner
Gina Gionfriddo’s Becky Shaw isn’t informed so much by the question “Is it better to lie than to hurt someone with the truth?” but rather by the statement, “Life is pain; lies and truth are mere tools to help one salve that pain.” Curious Theatre Company’s regional premiere of this crackling comedy brings all of the play’s East Coast energy to bear on Rocky Mountain audiences.
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Thursday, February 23,2012

I love Shrew-cy

Denver Center knocks the Bard out of the ballpark

By Gary Zeidner
If Front Range theatre were baseball, the Denver Center Theatre Company would be the Major League. Walking into the Stage Theatre is like walking into a pro ballpark. The energy crackles in a way that it simply doesn’t in many smaller venues, and audience expectations are understandably higher than they would be at a “minor league” performance.
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Thursday, January 26,2012

Haunting harmonies

The ‘other’ Phantom presents a different take on an iconic tale

By Gary Zeidner
What is your first thought when you hear the phrase “the phantom of the opera?” Unless you’re an unabashed bibliophile or literary-minded Francophile, it’s almost certainly not the novel, Le Fantome de l’Opera, written by Gaston Leroux in 1910. Still, that early 20th century flight of fancy introduced the world to the grotesquely deformed music lover and catacomb dweller, Erik, he of the half mask and three-quarters madness.
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Thursday, December 15,2011

A double dose of holiday hilarity

BETC and the Avenue Theater give the gift of laughter

By Gary Zeidner
’Twas the week before Christmas, and all through the town, some people were up while others were down. Some loved the snow and the cold and the lights; some felt the whole thing just wasn’t right. Whether this time of year makes you joyful or crass, the holidays can be one big pain in the ass. So take a quick break from the candles and bows, and enjoy a guffaw from these thespian pros.
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