Actress Gloria Stuart, the elder Rose in ‘Titanic,’ dies at 100

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LOS ANGELESGloria Stuart, a 1930s Hollywood
leading lady who earned an Academy Award nomination for her first
significant role in nearly 60 years — as Old Rose, the centenarian
survivor of the Titanic in James Cameron’s 1997 Oscar-winning film — has died. She was 100.

Stuart, a founding member of the Screen Actors Guild
who later became an accomplished painter and fine printer, died Sunday
night at her West Los Angeles home, said her daughter, writer Sylvia Thompson.

Stuart had been diagnosed with lung cancer five years ago.

“She also was a breast cancer survivor,” Thompson
said, “but she just paid no attention to illness. She was a very strong
woman and had other fish to fry.”

In July the actress was honored at an “Academy Centennial Celebration With Gloria Stuart” at the Samuel Goldwyn Theater in Beverly Hills.

As a glamorous blond actress under contract to Universal Studios and 20th Century Fox in the 1930s, Stuart appeared opposite Claude Rains in James Whale’s “The Invisible Man” and with Warner Baxter in John Ford’s “The Prisoner of Shark Island.”

She also appeared with Eddie Cantor in “Roman Scandals,” with Dick Powell in Busby Berkeley’s “Gold Diggers of 1935” and with James Cagney in “Here Comes the Navy.” And she played romantic leads in two Shirley Temple movies, “Poor Little Rich Girl” and “Rebecca of Sunnybrook Farm.”

But mostly she played what Stuart later dismissed as
“stupid parts with nothing to do” — “girl reporter, girl detective,
girl nurse” — and “it became increasingly evident to me I wasn’t going
to get to be a big star like Katharine Hepburn and Loretta Young.”

After making 42 feature films between 1932 and 1939, Stuart’s latest studio contract, with 20th Century Fox, was not renewed. She appeared in only four films in the 1940s and retired from the screen in 1946.

By 1974, “the blond lovely of the talkies” had become an entry in one of Richard Lamparski’s “Whatever Happened to” books.

Writer-director Cameron’s $200 million “Titanic” changed that.

Stuart played Rose Calvert, the
100-year-old Titanic survivor who shows up after modern-day treasure
hunters searching through the wreckage of the sunken ship find a
charcoal drawing of her wearing a priceless blue diamond necklace.

Stuart’s performance as Old Rose frames the 1997 romantic-drama that starred Leonardo DiCaprio as lower-class artist Jack Dawson and Kate Winslet as the upper-class young Rose.

In “Gloria Stuart: I Just Kept
Hoping,” her 1999 autobiography, Stuart said that after reading the
script, “I knew the role I had wanted and waited for all these many
years had arrived! I could taste the role of Old Rose!”

Cameron told the Los Angeles Times in a 1997
interview that he chose Stuart because he was “looking for a pro from
the ’30s or ’40s, someone probably retired, maybe off the Hollywood radar for awhile.”

“I had to have someone who’d play the latter part of the life of someone we’d recognize, Kate Winslet, so it couldn’t be someone like Katharine Hepburn.
We know so well what she looked like (when she was young),” Cameron
said. “Gloria had just enough distance, and she gave this fantastic
reading.”

At 87, Stuart became the oldest actress ever nominated for an Academy Award.

In addition to Oscar and Golden Globe nominations,
she won a Screen Actors Guild award for outstanding performance by a
female actor in a supporting role (tying with eventual Oscar-winner Kim Basinger for “L.A. Confidential”).

In the multiple-Oscar-winning blockbuster’s wake,
Stuart found herself swamped with fan mail and interview requests. She
also was faced with being recognized in the supermarket and finding her
old films resurfacing on television. People magazine even named her one
of the 50 most beautiful people in the world.

In 2000, several hundred fans gathered on Hollywood Boulevard next to the Egyptian Theater for the unveiling of Stuart’s star on the Hollywood Walk of Fame.

“I cannot begin to tell you how rewarding and
nourishing and warming it is,” she said at the ceremony. “I wake up
every day and say, ‘What a wonderful life. How lucky I am.'”

A third-generation Californian, she was born Gloria Stewart in Santa Monica on the Fourth of July,
1910. She later changed the spelling of her last name to Stuart,
reasoning that the six letters would balance perfectly on a theater
marquee with the six letters in “Gloria.”

While attending the University of California, Berkeley, where she acted in a campus theatrical group, Stuart met a handsome young sculptor, Gordon Newell. They were married in 1930 and moved to Carmel, where she appeared in little theater productions.

In 1932, after playing Masha in a little theater production of Chekhov’s “The Seagull” in Carmel, the visiting director asked her to play the role again in a small theater in the Los Angeles area.

Casting directors from both Paramount and Universal saw her performance and offered her screen tests. She wound up signing a seven-year contract with Universal.

Stuart’s union activities began while making Whale’s 1932 horror comedy “The Old Dark House” with Boris Karloff and Melvyn Douglas.

“All of us were just exhausted by the long hours, and Melvyn Douglas leaned over to me in this theatrical way,” she recalled in a 1998 Times
interview. “He whispered the word ‘union’ in my ear. And I thought,
‘Yes!'”

Despite stiff studio resistance, the Screen Actors Guild was founded in 1933.

Discovering that she “took to politics like a duck
to water,” Stuart helped form the Hollywood Anti-Nazi League in 1936,
the same year she and writer Dorothy Parker helped
organize the League to Support the Spanish War Orphans. She also became
a member of the Hollywood Democratic Committee and was on the executive
board of the California State Democratic Committee.

Stuart’s fledgling movie career took a toll on her
marriage to Newell and they divorced. In 1934, she married screenwriter
Arthur Sheekman, with whom she had her daughter Sylvia.

Stuart, whose career at Universal failed to take off, signed with 20th Century Fox in 1935.

After Fox declined to renew her contract in 1939, she acted in summer theater on the East Coast and made a failed attempt at Broadway before returning to Hollywood and turning her creative energies into the art of decoupage.

In 1954, inspired by an exhibition of Impressionist paintings in Paris, she began painting. Her first one-woman show, at the Hammer Galleries in New York in 1961, was a critical hit. She went on to have exhibits in major galleries.

In 1975, four years after her husband was stricken
with Alzheimer’s disease, Stuart decided to return to acting. From 1975
to 1988, she had about a dozen minor roles on TV and in movies,
including dancing with Peter O’Toole in a nightclub scene in the 1982 film “My Favorite Year.”

As her husband became ill, Stuart began taking
classes in bonsai. She became an honored member of local bonsai clubs,
and her trees are in the bonsai collection at the Huntington Library,
Art Collections and Botanical Gardens in San Marino, Calif.

Five years after Sheekman’s death in 1978, Stuart renewed a friendship with an old friend from her college years: Ward Ritchie,
who had become a world-renowned master printer. The friendship quickly
grew into an autumn romance. From Ritchie, Stuart developed an interest
in fine letter-press printing and bought her own hand press.

She devoted much of her time to designing and
printing artists’ books (handmade, letter-press printed books in
limited editions, with her own artwork and writing). Her work is in the
J. Paul Getty Museum in Los Angeles, the Metropolitan Museum of Art in New York City, the Victoria and Albert Museum in London and other museums.

Besides her daughter, Stuart is survived by four grandchildren and 12 great-grandchildren.

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(c) 2010, Los Angeles Times.

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Distributed by McClatchy-Tribune Information Services.

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