<![CDATA[Boulder - Weekly - Reel To Reel]]> <![CDATA[Reel to reel | Week of July 18, 2013]]> V/H/S 2: This follow-up to V/H/S ventures even further down the demented path blazed by its predecessor, discovering new and terrifying territory in the genre. At SIE FilmCenter. — Denver Film Society]]> <![CDATA[film]]> This is a bittersweet film. Two academics whose love life is about as exciting as their careers, which are about as exciting as paint drying, decide it’s time to relight the fire. They head to Paris where they once honeymooned, in their effort to find what has been lost.]]> <![CDATA[Reel to reel | Week of August 16, 2012]]> Ai Weiwei: Never Sorry. Ai Weiwei is China´s most famous international artist, and its most outspoken domestic critic.]]> <![CDATA[The future of the American family]]> Verizon Wireless has “Friends & Family.” Sprint calls it “Framily.” Facebook calls it “Friending” (even if your own mother just “friended” you). If the 20th century focused on the nuclear family, then America in the 21st century shifted importance to those friends that comprise a family.]]> <![CDATA[Reel to reel | Week of July 25, 2013]]> Big Star: Nothing Can Hurt Me is a feature-length documentary about legendary Memphis band Big Star. At SIE FilmCenter. — Denver Film Society]]> <![CDATA[Reel to reel | Week of October 31, 2013]]> About Time: A father explains to his son that all men in the family can time-travel.]]> <![CDATA[Reel to reel | Week of November 8, 2012]]> Ben Affleck’s latest directing project (in which he also stars) is based on true events from the Iranian revolution in 1979.]]> <![CDATA[Reel to reel | Week of April 4, 2013]]> THE SUITOR: Under family pressure, astronomy geek Etaix decides to find a fiancée, but is first perpetually sidetracked. Part of The Films of Pierre Etaix series at Muenzinger Auditorium. — International Film Series]]> <![CDATA[Reel to Reel | Week of February 28, 2013]]> JOHN DIES AT THE END: Suddenly a silent otherworldly invasion is underway, and mankind needs a hero. But that’s not what it gets.]]> <![CDATA[Film-to-table]]> This might be a little naïve,” director Mitch Dickman tells Boulder Weekly. “But I’ve been... talking about this film-to-table idea. I think the food community has done a tremendous job of capitalizing on the farm-to-table movement. I don’t think film is all that dissimilar.”]]> <![CDATA[A force big enough to swallow us all]]> Located on a Russian peninsula, high in the Arctic Circle, the small seaside village of Leviathan used to be a fishing town, but those days are gone and only the skeletal remains of aquatic beasts reference the prosperous time that has passed.]]> <![CDATA[Reel to reel | Week of July 26, 2012]]> <![CDATA[Think]]> This week the International Film Series is getting local with a screening of Losing the West. The documentary talks about the protection, or lack of thereof, for open space and agricultural lands. As the population and rate of development grow, ranchers and farmers struggle, which creates bigger problems for society.]]> <![CDATA[reel to reel | Week of Feb. 9, 2012]]> <![CDATA[Nothing to do with death and dying]]> Armed with a simple iPod, Cohen visits patients with varying degrees of dementia, Alzheimer’s and, in one case, schizophrenia to see if music will stir something in them. It does. The music starts, and these comatose patients spring to life. Most sing, many dance and some are so overcome with emotion they burst into tears.]]> <![CDATA[Diving into a sticky situation]]> Conflict is the heart of cinema. Conflict drives the plot and draws the audience and practically every movie revolves around it. Yet, only a select few have the audacity to dive into what fuels that conflict and, to borrow a line from The Rules of the Game, understand that “the awful thing about life is this: Everybody has their reasons.”]]> <![CDATA[Reel to reel | Week of October 03, 2013]]> Enough Said: Eva (Julia Louis-Dreyfus) is a divorced, single parent masseuse whose daughter is about to fly the nest, much to her chagrin.]]> <![CDATA[When dinosaurs roamed the land]]> There once was a time in the not-too-distant cinematic past where the world was still largely undiscovered and areas of the planet were a mystery to modern man. What beasts lived on these islands? What creatures were in these jungles? What was out there, lurking in the shadows? This theme cropped up again last month when Gareth Edwards’ Godzilla.]]> <![CDATA[Requiem for a studio musician]]> To be fair, Nancy Sinatra made “These Boots” famous, The Mamas and The Papas sang “California Dreamin’” and The Beach Boys (well, Brian Wilson) gave us “Good Vibrations,” but The Wrecking Crew played an integral part in every one of those records.]]> <![CDATA[Reel to reel | Week of May 30, 2013]]> Love Is All You Need: Things are a bit backwards in this film, which follows the struggles of a man and woman who fall in love in a world where homosexuality is the norm.]]>