<![CDATA[Boulder - Weekly - Screen]]> <![CDATA[You say you want a revolution?]]> With a female protagonist, overt racial themes and a wonderfully literal “poor versus the poor while the rich look on” centerpiece, Catching Fire is the best science-fiction sequel since The Empire Strikes Back and is far more important.]]> <![CDATA[Squash the spider, man!]]> Screenwriters Roberto Orci and Alex Kurtzman are franchise serial killers, having parasitically attached themselves to Transformers and Star Trek, among others. That two living, breathing human beings can routinely produce content this noxious and vapid without remorse is almost impressive.]]> <![CDATA[A boy’s best friend is his cow]]> Go West, screening Wednesday, July 23 as part of The Chautauqua Silent Film Series, is a magnificent display of Keaton and his acrobatic qualities.]]> <![CDATA[Coming of age]]> Richard Linklater’s latest work, Boyhood, employs one of the most audacious approaches to storytelling: Linklater and company filmed the actors for a few days every year for 12 years.]]> <![CDATA[Lucy goosey]]> But here’s the thing: it’s the most awesome drug ever. If you take enough of it, you become God. Or, as the pseudoscience in the movie incorrectly explains, “you use 100 percent of your brain’s cerebral capacity.” For some reason, this allows you to move stuff with your mind and sometimes dissolve into a weird human cloud thing.]]> <![CDATA[Fuzzy focus]]> But Caesar and Malcolm ( Jason Clarke), a cautious father and second-incommand at the human camp, both want peace. They negotiate a delicate alliance that is threatened by the human leader, Dreyfus (Gary Oldman), and the warmongering Koba.]]> <![CDATA[Grade A-Holes]]> The proliferation of comic book movies has reached its cultural apex, so thoroughly dominating the box office and public consciousness that a backlash was practically invited. While the public plays Oliver Twist, wallets open and begging for more, those who critically engage cinema have begun the “tsk, tsk”-ing and the “poo-poo”-ing.]]> <![CDATA[Art reflecting Ebert]]> Parliamentary correspondent Simon Horrart.” And, “There I asked Ted Turner how he got so much else right, and colorization wrong.” And a personal favorite, “From the basement of Macky Auditorium, I participated in Colorado’s first live webcast, although I’m fairly certain no one was watching.]]> <![CDATA[Will the real Bond please stand up?]]> There’s no more iconic spy in Western culture than 007, Bond, James Bond, and with a 50-year cinematic history, the 22 previous films in the franchise also represent an extraordinary body of cinematic work.]]> <![CDATA[Take it back]]> Go down swinging for the fences, punchdrunk and confident you’re making something truly awesome that people will love, even if it winds up a steaming pile of poodoo we mock. I respect the noble fool, the proud creator of disaster who clearly put everything into a creative vision beloved by only himself.]]> <![CDATA[Bleak and white]]> Celebrated narcissist and Freddy Krueger look-a-like Frank Miller gives the women he writes a plethora of career choices. They can be prostitutes, strippers, bondage-wearing murderers or corpses. Some get to be all of those! Sin City: A Dame to Kill For.]]> <![CDATA[A feast for the eyes]]> Now in his 17th season as IFS Director, Pablo Kj°lseth is extremely excited with the picks and guests he has lined up for the fall slate. Kj°lseth has been watching movies at IFS since 1980, and programming them since 1997. He is a man on a mission to make sure that quality cinema does not go gently into that good night.]]> <![CDATA[An independent fit for Boulder]]> The recession put an end to that and with no money coming in from licensing, Cox — who just celebrated his 60th birthday on Dec. 15 — heard the words every artist has heard at least once: “My wife [Tod Davies, herself a writer and producer] said,.]]> <![CDATA[Fight the power]]> In 2010, after arrests for civil disobedience, Panahi was sentenced to six years of house arrest and a 20-year ban on filmmaking. Iranian director Jafar Panahi, never one to play by the rules, continued practicing his craft, even though his movies would never play in his native land, and could land him a much stricter punishment if he were caught.]]> <![CDATA[Geneticists and horror]]> Adrien Brody and Sarah Polley, neither of whom make it a habit to play for audience sympathy in any circumstance, portray genetic engineers and lovers funded by a cashstrapped pharmaceutical company. They have successfully created a new blob-like hybrid creature, featuring DNA from various species.]]> <![CDATA[Laugh is a battlefield]]> The film’s director, John Wager, had been doing film work with the Wounded Warrior Project. Most of it was focused on adaptive sports for injured vets.]]> <![CDATA[The more things change...]]> This past summer’s headlines out of Ferguson, Missouri, and the death of Eric Garner in New York, make it clear that the events the film depicts on a hot summer day in Brooklyn in 1989 remain a sad, cruel reality for many black men in 2014.]]> <![CDATA[Step into the story]]> Running from Nov. 12-23, the Starz Denver Film Festival (SDFF) is 12 cinematic days in the heart of Denver. Started 37 years ago by Ron Henderson and a few fellow cinephiles, SDFF continues to grow and provide Coloradans with a unique moviegoing experience.]]> <![CDATA[John Hughes for kids]]> Greg, played by Zachary Gordon, is heading into seventh grade in his overwhelmingly lily-white town. His pal Rowley (Robert Capron, who has yet to discover a neutral expression; everything is either manic grinning or overt panicking) devotes his spare time to perfecting magic tricks for the community talent show.]]> <![CDATA[From flood to film]]> Fink spent 15 years as a journeyman on film sets, starting out as a production assistant in New York City, before moving on to work for the NHL. A project on alien abduction got Fink out of New York and brought him to Arizona, where the warm desert air hooked him.]]>