<![CDATA[Boulder - Weekly - Screen]]> <![CDATA[Unlikely combinations]]> Mildly funny adventures in extreme baby-sitting, director David Gordon Green’s The Sitter finds its emblematic moment in the scene of Sam Rockwell, playing a Brooklyn drug dealer, joking around and then suddenly blasting one of his minions in the foot in a realistically painful way. That’s Green for you. He’s the man behind Pineapple Express. Hahahahaha and suddenly there’s blood on the floor.]]> <![CDATA['X-Men' meets '90210']]> Then the backstory really gets confusing. John is one of nine alien kids from planet Lorien who have special 'legacies' that make them extraordinarily powerful. Henri is a warrior assigned to guard John.]]> <![CDATA[Mary Poppins meets Charles Bukowski]]> needs a friend. His mom has just died in a traffic accident. His dad, Paul, has withdrawn into a haze of tranquilizers and group-therapy blather. His grandma is kind but housebound. The school bully likes pushing him facedown onto urinal cakes.]]> <![CDATA[Real guitar heroes in 'It Might Get Loud']]> What do Jack White from The White Stripes, The Edge from U2, and Jimmy Page from Led Zeppelin have in common, besides the obvious? Each represents a prominent part of a musical movement that thrives around one of the most significant instruments created in the past century: the electric guitar.]]> <![CDATA[Sexy puss]]> DreamWork´s cunning casting of the silky Spaniard Antonio Banderas as a swashbuckling Puss in Boots pays off, brilliantly, in Puss in Boots, a star vehicle for the nursery rhyme kitty cat from the Shrek movies.]]> <![CDATA['Couples Retreat' a waste of talent, unfunny]]> Director Peter Billingsley had a tough assignment: take four suburban couples and put them through a series of "relationship building" challenges that were thought-provoking, poignant, revealing and funny. In attempting to accomplish this, he makes everyone a crass caricature, preventing us from neither engaging with them nor caring about the outcome of their journey. Worse, it's just not that comical.]]> <![CDATA[Badly thought out film adaptations, nevermore]]> Edgar Allan Poe introduced his 1840s readership to a new kind of fiction: detective novels. In his dark, twisted and often macabre stories, criminals committed crimes and were brought to justice by an]]> <![CDATA[Karate chop to the throat]]> The feverish mixed martial arts infomercial Warrior opens up so many cans of emotional whup-ass that after a while you think: Enough! It’s whupped! It’s whupped! And yet the tears will flow by the gallon.]]> <![CDATA[All's well that ends well]]> Harry Potter and the Deathly Hallows: Part 2 is a rare gift. Long-running film franchises generally either fade away or leave fans hanging. Director David Yates takes advantage of the opportunity to close the book on this series by creating a film finale that embraces deep emotional moments with the same passion that it celebrates huge action sequences.]]> <![CDATA[A conspiracy full of holes]]> On April 17, 1865, three days after John Wilkes Booth assassinated Abraham Lincoln, Washington, D.C., boarding house owner Mary Surratt, along with seven others, was arrested on charges of conspiracy to kill the president.]]> <![CDATA['Hangover' hangover]]> Again, a night of extreme debauchery leaves the lads clueless and foggy-brained, unable to recall anything without photographic evidence saved for the end credits. Bradley Cooper returns as Phil, the 'cool' one who rarely takes off his sunglasses, and while Cooper has talent, I find his character in these Hangovers.]]> <![CDATA[A film of great scowling]]> Object of the road trip: to retrieve the shining gold symbol of the far-reaching Roman Empire, the eagle statue, last carried into battle by Rome's Ninth Legion.]]> <![CDATA[The Bard via gnomes]]> %uFFFDWhat is the meaning of all this constipation?%uFFFD The hotheaded Tybalt (Jason Statham, perfect) is the one who stirs things up the most. He cheats in the lawnmower races and treats everything as a blood sport. Except there is no blood. When gnomes die, they%uFFFDre shattered.]]> <![CDATA[Nothing to be afraid of]]> When fantasy filmmaker Guillermo del Toro says he considers the 1973 made-for- TV movie Don’t Be Afraid of the Dark the scariest thing ever made for the medium, he’s not really talking about the teleplay itself.]]> <![CDATA[A pretty smart idiot]]> Floating through life on a personal high only partly provided by cannabis, the bearded, Crocs-sporting, semiprofessional farmer specializing in organics (or rather, “biodynamics”) is played, winningly, by Paul Rudd in an enjoyable shamble of a picture called Our Idiot Brother.]]> <![CDATA['The Princess and the Frog' sticks to Disney template]]> As you might guess by the title, "The Princess and the Frog" is a fairly familiar story. And because this animated musical comes from Walt Disney Pictures, you can expect talking-animal sidekicks, a perilous journey, a budding romance and a moral to the tale.]]> <![CDATA['Shutter Island' star Leonardo DiCaprio on why he keeps working for Martin Scorsese]]> "Shutter Island" marks Leonardo DiCaprio's fourth collaboration with director Martin Scorsese. It may also be his most intense, which says a lot when you consider that their previous three films were "Gangs of New York," "The Aviator" and "The Departed."]]> <![CDATA[Remake worth watching]]> Jenko and Schmidt weren’t friends in high school, as we learn in the 2005-set prologue. Jenko was the jock triumphant and a lousy student, and Schmidt (sporting an impressive mouthful of braces) spent most of his waking hours being embarrassed by his parents.]]> <![CDATA[Uncomfortable in the uncanny valley]]> Directed by Steven Spielberg, a longtime fan of the source material, The Adventures of Tintin begins with a gorgeous animated credit sequence, deftly incorporating bits of the narrative about to unfold. It’s as nifty as the overture in Spielberg’s earlier Catch Me If You Can, both scored, with a glancing touch, by his longtime mood generator, composer John Williams. It’s always gratifying to hear what Williams can do when he’s not in attack mode.]]> <![CDATA['From Paris With Love' tries too hard]]> John Travolta shaved his head, dyed his goatee and gave himself and his stunt double a helluva workout in "From Paris With Love," a gonzo spy shoot-em-up from the folks who gave us "Taken. "]]>