With moral authority

'Official Secrets' and unfamiliar heroics

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Keira Knightley as Katharine Gun in Gavin Hood’s "Official Secrets."
IFC Films

For the growing good of the world is partly dependent on unhistoric acts. —George Eliot, Middlemarch

On Jan. 31, 2003, Katherine Gun’s life changed.

Gun, a translator working for the British intelligence agency Government Communication Headquarters (GCHQ), received an email from Frank Koza. An email requesting assistance to spy on various United Nations offices so swing votes could be obtained. Votes the United States and Great Britain needed to go to war against Iraq and Saddam Hussein.

Gun, in a moment of moral clarity, printed off the email and made sure it found its way to a reporter. Martin Bright was the recipient and his paper, The Guardian, ran the email above the fold — albeit with some damaging corrections.

The rest is history but not without a twist. War was not averted, and only a select few came to Gun’s defense. The name Daniel Ellsberg still conjures the image of moral fortitude while Gun’s name has slipped between the pages of history.

Official Secrets — from director Gavin Hood and based on the book The Spy Who Tried to Stop a War by Thomas and Marcia Mitchell — brings Gun’s story to the multiplex with an all-star cast and relentless forward propulsion. It’s a movie that opens with a sharp intake of breath and proceeds to hold it for two hours until Gun (Keira Knightly) finally and jaggedly lets it out.

Knightly plays Gun in a state of perpetual tension. To be found out would jeopardize the well-being of her and her husband — a Turkish Muslim immigrant. To not be found out would jeopardize her co-workers and friends.

On the other side of the email exchange is Guardian reporter Martin Bright (Matt Smith), who is just as righteous as Gun but exudes smugness where Gun bleeds terror. Director Hood employs a beautiful bit of crosscutting the day Bright’s story and Gun’s email is printed. Bright enters the Guardian offices to a standing ovation. Gun finds the paper at the local gas station. Bright is congratulated and told every major news outlet wants to speak with him. Gun retches in the toilet after she shows her husband the paper.

But Gun is young and principled and stands by her actions. Representation comes when barrister Ben Emmerson (Ralph Fiennes), equally principled, agrees to defend her. His defense isn’t so much a defense of Gun’s actions, but an accusation that the British government acted illegally when it invaded Iraq.

This constant shift between players gives Official Secrets more heft than most “based on true events” movies. Hood keeps Gun at the center of the piece but allows the story to move omnipotently from character to character, picking them up when needed and casting them off once their role is filled. To root the story in the real, Hood introduces bit players with on-screen text and sprinkles archival footage of President George W. Bush, Secretary of State Colin Powell and Prime Minister Tony Blair to fill in the gaps.

It does the trick, and Official Secrets manages to engage without relying on blockbuster bravado. An anomaly in today’s movie marketplace.

ON THE BILL: Official Secrets. Century Theatre, 1700 29th St., Boulder. Opens Sept. 13.